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Sex and the Single Girl is cheeky and occasionally charming, its tone conversational, its sections full of learn-from-my-mistakes bits of wisdom and whimsical denigrations of the status quo (“Piffle poofle to that!”).
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With declarations like that, the book “paved the way,” the editors Eliza Smith and Haley Swanson write in the introduction to their new anthology, “for narratives like Murphy Brown, Living Single, and Sex and the City”: stories that considered women’s sexual liberation in the context of their social and professional lives.
It also talked about it, and about the women who had it outside of marriage.
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Just two years after its first publication, it was given one of the highest honors American entertainment knows how to give: It was made into a movie.īrown’s book did not simply say sex out loud.
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Brown’s manual brought a winking literalism to the adage that “sex sells”: It was a commercial hit, and a cultural phenomenon. (The show’s bashfulness was undiminished by Ball’s very evident onscreen pregnancy.) In that context-language veiled, pearls clutched, truths that affected everyone considered tasteful topics for no one-a book that refused to traffic in euphemism was a form of mutiny. Lucille Ball and Ricky Ricardo, married in life as on I Love Lucy, had spent several seasons retiring to separate beds to avoid any suggestion of sexual intimacy. W hen Sex and the Single Girlwas first published, the pill had had FDA approval for only two years.
They warn of what can happen when “the personal is political,” that elemental insight, is remade into a threat. They suggest all that is lost when sex is ceded to the state. The pieces are testaments to the hard-won freedoms of the sexual revolution that Brown both stirred and stymied. Sex and the Single Woman, out this week, features 24 essays that take on, among many other timely topics, consent and polyamory and interracial dating and in vitro fertilization and sex as an activity and sex as an identity. They also bring gravity to a new anthology that reconsiders Brown’s complicated classic. These grim developments threaten to return sex to what it was for so long, for so many: a pleasure that becomes, all too easily, a punishment. Some lawmakers, delivering on their desire to make America 1950 again, are weighing measures to criminalize contraception itself. Wade- a final, fatal slash following the thousand cuts made by state legislatures across the country. The Supreme Court, very soon, will likely strike down Roe v. That it remains an argument at all helps explain why Brown’s book, progress and backlash in one tidy text, continues to resonate. Sixty years ago, that was a radical proposition. But it is best remembered, today, for one of the arguments it put forward: Sex, as Brown summed it up in her introduction to the book’s 2003 reissue, “is enjoyed by single women who participate not to please a man as may have been the case in olden times but to please themselves.” The book-like its author, both ahead of its time and deeply of it-often reads as resolutely backward. Sex and the Single Girl, first published in 1962, is part memoir and part advice manual, offering tips about careers, fashion, beauty, diet, hobbies, self-care, travel, home decorating, and, yes, dating. The sentiment would not have come as a surprise to readers of the book that had, roughly three decades earlier, shot Brown to fame and infamy. I n 1991, as the Supreme Court hearings of Clarence Thomas were turning sexual-harassment allegations into television, Helen Gurley Brown, the editor and muse of Cosmopolitan magazine, was asked whether any of her staffers had been harassed. This article was featured in One Story to Read Today, a newsletter in which our editors recommend a single must-read from The Atlantic, Monday through Friday.